FUCKING SPECIAL POST: NEKI STRANAC INTERVIEW AND EXCLUSIVE REMIXES!   1 comment

If you fucking read The Walmer Convenience Musical Blog at all then you have probably realized a few things (if you have not realized them then you are fucking stupid). One is that we love music but we don’t fucking suck it’s dick. Until someone is able to create a song that will come and suck our dicks then we refuse to suck the dick of music. That’s the way we roll. Another thing is we don’t put anyone on a fucking pedestal. Everyone is human being. Diplo is a human being. wil.i.am is a human being. You’re a fucking human being. No one is due any more respect than anyone else because they’re famous. You can click “like” on every fucking thing they say on Facebook all you want, you will still not be famous. And who knows, maybe Diplo has cried more than you. Kanye West has definitely cried more than you (he may shed at least a tear a day). Maybe you have fucked more chicks than wil.i.am. That’s doubtful though. We don’t bend over backwards for anyone based on how well known they are. In fact, we make fun of them more. Finally, music is something to have fun with. If you love it, you find it fun and enjoyable. Have fun when you make music because there are so many things that can get you down in life. So much fucking tragedy, so much everyday bullshit. Make music a thing to enjoy. Taking it lightly is a better sign than taking it too fucking seriously.

Why are we talking about all this shit? Well to explain why we were so happy we got Neki Stranac to answer some stupid fucking questions we made up. This guy has got a funny and refreshing way on looking at music and the creative process. If you have followed him on Facebook or Soundcloud you know he’s one of the more irreverent fuckers in the global bass scene and especially the Moombahton scene. Enough of our bull shit though. Let’s pass it over to Neki Stranac (who deftly avoids starting any beef even though we tried so fucking hard). READ THE FUCKING INTERVIEW AND GRAB TWO FREE EXCLUSIVE REMIXES AND A WHOLE BUNCH OF OTHER NEKI SHIT AFTER THE FUCKING JUMP ASS MONKEYS!

Walmer Convenience:

Why the fuck are you called Neki Stranac? Is that your real fucking name? We don’t think that’s your name.

Neki Stranac:

Well… Neki Stranac means “a foreigner” or “some foreigner” in Serbian. It`s actually just a local joke referring to the times of fucking war-caused crisis (or crisis-caused war) in ex-Yugoslavia in the 90s when we had almost no foreign acts in my town, Belgrade. So whenever any brave-ass fucker came to play at that time, he/she was instantly a local club star, no matter if his/her music is worth a fuck or not. So it was kinda like this:
-“Hey, who plays @ this-or-that club?”
-“Dunno, some foreigner plays, it’s gonna be great!”

WC:

Which artist in the game do you respect the most? Who the fuck do you respect the least? Why?

NS:

What game? What art? What artist? I don`t follow this scene too much really, because I`m not DJing anymore, Neki Stranac is an live act now consisting of my production only.. In fact I rarely listen to the music at all, it just makes me nervous and makes me wanna edit it and I can`t fucking edit every tune i hear so I better enjoy the silence. Fucking music. My profession is music (www.shazalakazoo.com), my hobby is music (this Neki Stranac crap) so I can`t really listen to the music too much or I`ll go completely insane…

WC:

Is anyone gonna make any fucking money in moombahton? What is the third most important goal in music after money (#1) and pussy (#2)?

NS:

I don’t know. I got only like 300 euros on moombahton up to now, but okay, that`s (still) my hobby. With pussies it goes slightly better. But anyway, moombahton is still kinda young, we`ll se how it will develop. And the third goal is traveling around, which also includes eating local offal dishes and drinking local alcohol crap and smoking what locals grow or import from the warmer climate.

WC:

What is the worst part of being original?

NS:

The worst part of being original is the self-opinion of originality. Original my ass. Same old rhythm patterns, same old sound colors, same old arrangements, same harmonies, same melodies… I make originals as well and I’m usually the same fucker as all the others. Fucking electronic music is so uniform, but it’s only electronic music and I like it. Like it. Yes I do. And what I liked with moombahton was the BPM, still quite virginal in terms of club music. But that virgin’s being fucked as we speak, though.

WC:

Who is the artist that you think young people getting into music should copy the most?

NS:

Young people should copy J. S. Bach. That old baroque drunkard had explained it all a long long time ago. He was fucking original. Music is just a mixture of mathematics and physics and he fucking invented the calculator.

WC:

What was the last thing you fucking stole off someone? It could be anything (money, girlfriend, ideas).

NS:

I stole a head of garlic in the supermarket the other day. Besides, I steal ideas all the time. That’s what the ideas are all about. They may die off if you don’t steal them. I mean edit them.

WC:

What country have you visited that you would never go back to?

NS:

There’s no such a country really… But I’d never walk the central streets of Johannesburg, South Africa alone, especially in the night.

WC:

How much fucking money do you think a musician should try to make? Why?

NS:

As much as possible. And even more than that, so we could finally establish the Musicracy, the form of state governing where the non-musical persons are gonna be heavily oppressed.

WC:

What is the object that you own that you covet the most?

NS:

It`s my AKAI EWI USB wind controller. It was quite hard to find three years ago here in Europe. Now I can play fucking solos over my sets with it.

WC:

What is the most expensive thing you ever bought? Why?

NS:

It was my Scott bicycle. So i can ride away from the city into the fields and forests and forget about every fucking thing that causes stress. And forget about the music and pussies too.

WC:

Is this the worst interview ever? Why?

NS:

It`s not. The interviews can suck way harder.

WC:

Keep causing chaos. Thanks fucker.

GRAB TWO EXCLUSIVE FREE TRACKS!

Zombies For Money – Oy Shaba (Neki Stranac Crapshit) (FUCKING WALMER EXCLUSIVE!)

DOWNLOAD IT HERE!

Modeselektor ft. Otto von Scirach – Evil Twin (Neki Stranac Crapshit) (FUCKING WALMER EXCLUSIVE!)

DOWNLOAD IT HERE!

HERE’S SOME OTHER SHIT THIS FUCK MADE!

SuperStereo feat. Szolga Józsi – Goran in the Disco Club (Neki Stranac Moombahton Mix)

Hide & Scream ft. A Girl And A Gun – Caligula (Neki Stranac Moombahcore Crap)

Bert On Beats ft. Anbuley – Kelewele (Neki Stranac Remix)

DON’T FORGET TO BUY THE SHAZALAKAZOO BANG! BANG! EP DROPPING DEC 31ST ON GENERATION BASS!

Shazalakazoo – Bang! Bang! EP Teaser (Mixed by Neki Stranac) Out 31st October 2011

One response to “FUCKING SPECIAL POST: NEKI STRANAC INTERVIEW AND EXCLUSIVE REMIXES!

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  1. Pingback: SHAZALAKAZOO’S FUCKING BANG! BANG! EP « WALMER CONVENIENCE

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